No, they're not photographs! The astonishing pictures drawn by PENCIL

   

• Artist's drawings take between three and six weeks to create and sell for up to £5,000 each
      The hyperrealist art is taken from a photograph but is produced in a non-photographic medium

These might look like photographs, but it's not all black and white when it comes to the work of this artist.

Despite looking like they have been captured on a camera, these are actually hand-drawn images created by hyperrealist artist Paul
Cadden.

The 47-year-old, from Scotland, is able to recreate photos in amazing detail, often just using only a pencil.

From the wrinkles on a woman’s face, a puff of smoke from a cigarette or dripping water - Cadden's drawings look unbelievably realistic.



Smokescreen: Incredible detail has been captured by the hyperrealist artist Paul Cadden, but his work leaves you wondering whether your eyes have
been tricked


Hyperrealism was born from the idea of photorealism, which are paintings based on photographs but created in a non-photographic
medium.

Taking an average of between three and six weeks to produce, Cadden creates about seven pieces each year - which usually come in A1
or A0 sizes - and sell at galleries for up to £5,000 each.


A spokesman for London's Plus One Gallery, which is featuring Cadden's work in its current hyperrealism exhibition, said: 'When you look
at a picture of his work, they do look like photographs.

'But when you see it in a gallery up close, you can tell it's a drawing. The detail is incredible.'

Cadden, from Glasgow, was last year shortlisted for Artist of the Year 2011 for his drawing, ‘Painted context’.

Shades of grey: Cadden was shortlisted as Artist of the Year 2011 and can usually produce about seven works per year which sell at galleries for up to
£5,000 each


He said: 'I’ve been drawing since I was six years old and have wanted to be an artist for as long as I can remember.

'Hyperrealism tends to create an emotional, social and cultural impact and differs from photorealism which is far more technical.

'My inspiration comes from the phrase "to intensify the normal". I take everyday objects and scenes of people and then create a drawing
which carries an emotional impact - it can be quite beautiful.

'I try to study the internal aspect of the image rather than focusing solely on the external part. I can fall in love with an image - if that
doesn’t sound too hippy.'

From a distance Paul Cadden's work looks like a picture. However, a gallery exhibiting his work said seeing the originals up close reveals the extent of
the drawing detail