Given that Lee refuses to use Photoshop or any kind of digital trickery to produce her images, her results are rather astonishing. Occasionally drawing from Korean folk tales and fables for inspiration, Lee spends months carefully constructing each set in an attempt to shoot “the invisible”. While her peers try to capture reality or augment it digitally, Lee aims higher, harnessing her dreams and memories through a tumbling medium of plastics, fabrics and vibrant paints.
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